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Showing posts from March, 2021
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"Nobody" proves Odenkirk's range as an action machine

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"Violation" an uncompromising, artfully shot anti-revenge psychodrama

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"Slaxx" goofy and gory with something serious to chew on

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Despite doozy credits, "Phobias" peters out as a fear machine

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"Happily" a deliciously sharp black comedy that goes where you least expect

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Not a total "No," but "Yes Day" strains for wackiness

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"The Stylist" a nearly sympathetic portrait of a psychotic hairstylist

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"Son" a twisted, unsettling ride into darkness

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