Showing posts from February, 2022

"No Exit" a lean, mean airport-paperback thriller

"The Desperate Hour" an involving one-woman show for Watts but also a queasy cheap-thrills exercise

“Studio 666” a goof that falls flat, despite good gore gags

"Gasoline Alley" by-the-numbers dreck that wants to be scuzzy noir pulp

"Texas Chainsaw Massacre" a requel that rattles and splatters

"Uncharted" a fun, lively action-adventure yarn based on a video game

"Dog" satisfies Tatum groupies and dog lovers

"The Cursed" an impressively grim, atmospheric werewolf tale