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Showing posts from February, 2022
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"No Exit" a lean, mean airport-paperback thriller

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"The Desperate Hour" an involving one-woman show for Watts but also a queasy cheap-thrills exercise

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“Studio 666” a goof that falls flat, despite good gore gags

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"Gasoline Alley" by-the-numbers dreck that wants to be scuzzy noir pulp

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"Texas Chainsaw Massacre" a requel that rattles and splatters

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"Uncharted" a fun, lively action-adventure yarn based on a video game

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"Dog" satisfies Tatum groupies and dog lovers

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"The Cursed" an impressively grim, atmospheric werewolf tale

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