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Showing posts from November, 2020
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"Girl" too generic in its down-and-dirtiness

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"Superintelligence" not memorable but an amusing-enough vehicle for Melissa McCarthy

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"Uncle Frank" a poignant and well-performed coming-out/coming-of-age film

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"Hillbilly Elegy" dramatically uneven but Glenn Close's ferocious Mamaw makes it worthwhile

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"Happiest Season" a star-studded holiday comedy that's cozy, inclusive, entertaining, and poignantly wise

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"Buddy Games" an obnoxious, dull, smug, infantile, tone-deaf sausage party

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"Fatman" committed to being an off-kilter, coal-black Christmas present

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"The Broken Hearts Gallery" an affable romantic comedy with likable leads and even funnier second bananas

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