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Showing posts from November, 2022
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"Nanny" more effective as an immigrant's slice-of-life than horror

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“Violent Night” a cheerfully bloody ho-ho hoot that’s also a little sweet

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"The Menu" a cruelly witty, excellently cast, deliciously mean dish

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"The People We Hate at the Wedding" well-cast and acerbic but not without a heart

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"Sam & Kate" a lovely showcase for Hoffman, Spacek, and their kids

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"Falling for Christmas" marks Lohan's return and Netflix's biggest Hallmark Christmas Movie clone

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"The Friendship Game" held promise but loses way in the game

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Styles is fine, but "My Policeman" is dull and safe

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"The Estate" a painfully unfunny waste of a terrific cast

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"Soft & Quiet" a one-take panic attack that enrages, startles, and impresses

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