"A Haunting in Venice" marks Branagh's second most successful all-star whodunit

A Haunting in Venice (2023)

There’s just something cozy about watching Kenneth Branagh’s Hercule Poirot and his mustache solve another case of (all together now!) MURDER. With another all-star cast of suspects and a picturesque location, “A Haunting in Venice” marks Branagh’s third directorial outing, where he headlines as the Belgian detective, and the very first big-screen adaptation of the 1969 Agatha Christie whodunit “Hallowe’en Party.” It doesn’t have the high-drama fun of last year’s “Death on the Nile,” but there is a welcome tinge of William Castle-brand spookiness to this handsomely made, perfectly enjoyable locked-room mystery.

Now retired and living in exile in 1947, Venice, Poirot gets a visit from an old friend, mystery writer Ariadne Oliver (Tina Fey). Reluctant at first, he accepts her invitation to a party for orphans on All Hallows’ Eve, followed by a séance, which Ariadne hopes her clever pal can debunk. Opera singer Rowena Drake (Kelly Reilly) is hosting the party-cum-séance in her palazzo, where her teenage daughter Alicia (Rowan Robinson) committed suicide and drowned in the canals a year before. To communicate with the late Alicia, Rowena welcomes celebrity medium Joyce Reynolds (Michelle Yeoh), accompanied by her assistants, half-sibling war refugees (Emma Laird, Ali Khan). Then there’s a murder! Could it be Rowena’s would-be son-in-law (Kyle Allen)? A PTSD-suffering doctor (Jamie Dornan) and his precocious, Poe-reading son (Jude Hill)? Or maybe the protective nanny (Camille Cottin)? Whoever it is, Poirot will have to come out of retirement, locking them all inside the palazzo, including his own bodyguard (Riccardo Scamarcio), until he figures out the guilty party. Or, perhaps, the house is really just haunted by the boys and girls taken by the plague. 

As a gloomier, more low-energy whodunit affair, “A Haunting is Venice” isn’t above a dull patch or two — after all, there are a lot of suspects to interview through the night. But the proceedings are always punctuated by childish whispers, attempted murder during apple-bobbing, and a general gothic horror atmosphere during a dark and stormy night. There is a theatrical kind of creepiness to most of director Branagh’s scare tactics, like chandeliers crashing and lightbulbs popping; rest assured, this is still a throwback entertainment for grown-ups who don’t like getting too scared. Screenwriter Michael Green (who wrote Branagh’s previous Agatha Christie adaptations) crafts yet another solidly engaging mystery that keeps us on our toes and has the viewer constantly editing their suspect list. It’s just too bad that once the whodunit is revealed, a final confrontation is kind of a non-event. Read the full review at GuyAtTheMovies.com

Grade: B -

20th Century Studios released "A Haunting in Venice" (110 min.) in theaters on September 15, 2023.